Publicado en por Poshe

Table of Contents

  1. Key Highlights:
  2. Introduction
  3. Why Times Square: Symbolism, Screens and the Public Stage
  4. The Three Acts of “Gucciness”: How the Cruise Collection Culminates a Study
  5. Gucci Core: Product Strategy as Creative Program
  6. Logistics and the Spectacle of Risk
  7. Codes Reimagined: How Gucci’s Signifiers Were Reworked
  8. The American Customer: Pragmatism, Scale and Cultural Reach
  9. Demna’s Method: Books, Film, and the Curated Archive
  10. Corporate Alignment: Kering’s Strategy and Gucci’s Commercial Roadmap
  11. Reception, Risk and the Question of Taste
  12. What the Cruise Show Suggests About Luxury’s Future
  13. Design Details and Notable Looks
  14. The Creative Arc Ahead: Demna’s Roadmap
  15. The Broader Competitive Landscape
  16. Practical Takeaways for Consumers and Retailers
  17. The Cultural Resonance: Fashion, Place and Memory
  18. FAQ

Key Highlights:

  • Demna chose Times Square for Gucci’s Cruise 2027 to merge brand heritage with urban spectacle, using the square’s digital billboards as an active runway backdrop and staging a show without a full rehearsal.
  • The collection crystallizes a multiyear study of Gucci’s identity—combining archival references, Tom Ford-era cues, and body-conscious modernity—while launching “Gucci Core,” a product-led strategy emphasizing wardrobe staples.
  • The show aligns with Kering’s wider commercial strategy to clarify Gucci’s identity, rebalance pricing and quality, and expand revenue through strengthened ready-to-wear, leather goods, jewelry and watches.

Introduction

When Gucci’s creative director walked into Times Square less than two weeks before his cruise show, he nearly reconsidered the entire idea. The location presented complications that would have intimidated a less determined designer: permits, installations with hours to spare, a venue that never sleeps and a public landscape brimming with tourists and advertising. He pressed on. The result was unmistakable—an arena of moving images and neon that did more than host a runway. It became an argument: Gucci is a global brand that can be unmistakable without reverting to a single visual shorthand.

The Times Square presentation staged a broader argument about brand substance and strategy. It fused Demna’s ongoing examination of what Gucci means—historical touchstones, unexpected references and a consumer-first approach—with corporate goals to make the house more coherent and commercially robust. The Cruise 2027 lineup is both an aesthetic statement and a merchandising manifesto: an effort to define product essentials, reread heritage codes and design clothing that fits into the daily life of varied customers—from downtown streetwear devotees to downtown commuters on their way to the office.

This article unpacks the creative, logistical and strategic dimensions of that moment: why Times Square, what “Gucciness” means under Demna, how Gucci Core reshapes the label’s offering, and what the show signals for luxury fashion’s relationship with place, product and public spectacle.

Why Times Square: Symbolism, Screens and the Public Stage

Choosing Times Square for a cruise collection was audacious and strategic. A fashion show in Times Square engages multiple registers: it is a cultural icon, a commercial crossroads and a constantly updating visual theater. Demna recognized these qualities and treated the square’s digital billboards not as background but as part of the set, integrating the city’s media infrastructure into the show’s mise-en-scène.

Times Square functions differently from the controlled environments of a private venue or an invitation-only salon. It is inherently public, unpredictable and saturated with other messages. That creates friction; friction generates attention. The mechanics of the presentation reflected that tension. Permissions from municipal authorities, tightly timed installations that left little time for a dress rehearsal, and security measures that required secrecy about the final set-up all made the show a logistical feat. The lack of a full run-through in the venue is notable: instead of relying on rehearsed perfection, the production accepted a degree of improvisation, matching the city’s kinetic nature.

The rationale for staging a cruise show there goes beyond spectacle. Demna tied the location to Gucci’s own American history. The brand’s Fifth Avenue store, which opened in the early 1950s, served as a beachhead for Gucci’s international expansion. That New York presence shaped global perceptions of the house in ways that resonate today: a store became a cultural node where products, art and patronage intersected. Inviting Times Square into the conversation reinforced the idea that Gucci’s identity developed in dialogue with the American market—and that the U.S. remains central to the brand’s future.

Real-world precedent supports this logic. Luxury houses have increasingly used public places to reach broader audiences and create memorable narratives. When a brand stages a show in a public square, a museum, or a historic site, it ties the collection to a particular civic identity. The site becomes a co-author of the collection’s message. For Demna, Times Square supplied an already built set: screens offering scale, color and motion that conventional backdrops cannot replicate.

The Three Acts of “Gucciness”: How the Cruise Collection Culminates a Study

Demna has treated his first seasons at Gucci as deliberate chapters rather than isolated collections. The Cruise show appears as the natural synthesis of three prior investigations.

  1. La Famiglia: a study of pre-fashion era Gucci. This phase looked to the house’s mid-20th-century identity—classicism, Jackie-era silhouettes and an aristocratic sense of taste. It involved revisiting how Gucci presented itself before fashion seasons became the dominant narrative vehicle, returning to a world where the brand offered everything from furniture to collectibles for its most valued clients.
  2. Generation Gucci: a reconstruction and reinterpretation of the Tom Ford years. That era of Gucci left an indelible mark on modern perceptions of glamour and sex appeal. Demna examined that register through his own lens, creating looks that nod to the aesthetic without simply recycling archival forms.
  3. Primavera/fall body studies: an exploration of body-consciousness and sensuality through garments. This phase pushed toward modern silhouettes that emphasize fit and movement, experimenting with material lightness and how clothes respond to the wearer.

The Cruise line synthesizes those strands. The collection is neither purely archival nor entirely forward-leaning. It blends wardrobe essentials—coats, blouses, cropped leather jackets—with more experimental pieces that reference Gucci’s visual vocabulary (webbing, interlock, GG, Flora, bamboo and the Jackie). Demna frames the collection as an answer to the question: what is Gucci, and who wears it today? That question guided both aesthetic choices and product prioritization.

For an audience tracking Demna’s trajectory, this integration clarifies his method. Rather than unmooring the brand through abrupt reinvention, he has layered studies that gradually reconstruct a modern Gucci. The Cruise show is the moment where those layered studies converge into a practical proposition: a wardrobe that speaks to diverse customers and an aesthetic foundation on which more personal, Demna-specific architecture can be built.

Gucci Core: Product Strategy as Creative Program

Perhaps the most consequential element of the Cruise 2027 presentation is the formal introduction of Gucci Core. The idea is simple: define a set of essential items that constitute the brand’s wardrobe backbone and make those items central to the house’s commercial offering. Demna describes the collection as roughly 90 percent core staples and 10 percent seasonal experiments. The decision underlines a shift toward product discipline and a merchandising mindset.

What constitutes Gucci Core? Trenchcoats, classic peacoats, pussy-bow blouses, cropped leather jackets and other enduring pieces that customers reach for repeatedly. Those items are designed to be simultaneously identifiable as Gucci and functionally useful across many wardrobes. The move addresses a perceived gap: Gucci’s product mix, in recent years, emphasized strong statements—logos, eccentric statements and seasonal peaks—but lacked a robust offering in longstanding wardrobe staples that define a customer’s daily life.

This strategy has multiple advantages:

  • It reinforces brand recognition through product ubiquity. When staple pieces carry subtle Gucci codes—distinctive stitching, a refined interlock, or a unique silhouette—the brand becomes recognizable even without overt logos.
  • It stabilizes revenue. Core garments have repeat purchase potential and broader price elasticity, benefitting both midprice and top-tier strategies.
  • It creates a platform for design evolution. By fixing certain wardrobe constants, the creative team gains a stable framework on which to introduce more experimental or signature pieces.

Making wardrobe staples central also links to the geography of the show. Presenting pragmatic clothes in New York—where commuting, office routines, layered weather and extended days demand functional, stylish garments—allowed the team to test how the garments read in a real-world urban context. Demna watched New Yorkers and found validation in street behaviors: backpacks with suits, business people who value practicality without sacrificing style. A customer who can wear a Gucci trench to a meeting and a late dinner is more likely to see the brand as part of their life.

The broader corporate ramifications intersect with Kering’s guidance. Gucci Core complements strategic goals to rebalance price tiers and emphasize quality. The house has signaled a midprice anchor between roughly 2,000 and 3,000 euros and ambitions to elevate certain top-tier items through richer materials and distinctive details. Core items can sit across that price spectrum, functioning as entry points for enduring engagement.

Logistics and the Spectacle of Risk

Pulling off a show in Times Square meant navigating municipal politics, public safety, installation windows and a media environment that never sleeps. Commercial fashion shows often depend on the illusion of control: every light, step and camera angle is planned. Demna chose to trade that illusion for the messy reality of a public square.

That risk extended to the production method. The team intentionally avoided a full rehearsal in the final venue, describing the moment as the first show in Demna’s career without a run-through. Practical constraints—curfews, city permits and technological integration with billboard operators—made rehearsals impractical. The decision reintroduced a measure of unpredictability into a highly choreographed industry.

Risk in spectacle is not new to fashion. Brands have used public sites precisely because they generate stories and earned media that traditional venues rarely match. Yet risk must be engineered; the show’s safety, execution and broadcast quality had to be guaranteed even without a rehearsal. Achieving that balance required meticulous planning off-site and technological coordination with Times Square’s operators to ensure the digital canvases synced with the runway narrative.

The payoff is twofold. First, it produced a headline-making event that reframed Gucci’s relationship to public space and storytelling. Second, it signaled to consumers and investors that the house can stage ambitious scenarios without sacrificing commercial priorities. A brand that masters spectacle and sustains product integrity demonstrates both cultural reach and operational competence.

Codes Reimagined: How Gucci’s Signifiers Were Reworked

The Cruise collection anchored familiar Gucci signifiers—GG motifs, the web stripe, Flora prints, bamboo handles, the Jackie hardware—but deployed them with restraint. The creative aim was to make Gucci recognizable without relying solely on overt logos. That approach corresponds with Kering’s stated vision: identity should be visible even when not stamped across every surface.

Demna’s work often plays at the intersection of archival reverence and contemporary reinterpretation. The Cruise pieces borrowed from historical cues while adjusting proportions, materials and construction to contemporary needs. For example, a classic Jackie silhouette might appear in updated leather treatments or scaled differently to reflect modern layering. The web stripe could be integrated as a subtle trim rather than a banner across a handbag.

This approach is a counter to the extremes of both maximalist logo saturation and hermetic archival preservation. Instead of freezing heritage in a museum-like reverence, the archive is a source of raw material to be remixed. That remixed approach addresses both cultural and commercial concerns: it keeps heritage relevant while creating pieces that function in multiple contexts.

Real-world parallels help clarify the tactic. When brands rework emblematic pieces—say, a house’s signature bag or emblematic coat—successful reinventions maintain recognition without collapsing into pastiche. The best reinterpretations preserve proportion, material language and an emotional resonance with customers who hold memories of older iterations. Demna’s Cruise strategy pursued that balance, anchoring the brand’s visual language while making it wearable for contemporary lifestyles.

The American Customer: Pragmatism, Scale and Cultural Reach

Demna’s decision to stage the cruise show in New York was also a strategic appeal to the American customer. He described the American wardrobe as pragmatic and consumer-oriented. That characterization informed both product selection and how the pieces were styled. Cruise, historically a season that bridges climates and travel, is especially relevant to customers who move across time zones and routines. The collection’s focus on durable staples speaks to that mobility.

A key part of Demna’s process was observation. During his two-week visit to New York, he watched customers walk the city, saw his pieces in shops such as Bergdorf Goodman and visited cultural spaces that inform his practice—bookstores, galleries and markets. He described buying large volumes of photography and art books and treating those collecting moments as research. That ethnographic component—seeing the wardrobe in situ—gave the collection a pragmatic authenticity.

The American market matters commercially. Gucci’s presence in the U.S. historically helped shape its global image. Today, America represents a major market for luxury investment, and brands increasingly foreground their U.S. strategies. Gucci’s move to stage a major show in New York aligns the creative narrative with commercial priorities: the collection signals that Gucci can provide essentials for American daily life while still being a global cultural force.

The broader market context is crowded. Other houses have also staged shows in the U.S. recently; these moments become part of a larger competition for cultural capital. Gucci’s Times Square presentation used place as a differentiator—an urban icon rather than a private theater—reclaiming visibility in a market where constant messaging competes for attention.

Demna’s Method: Books, Film, and the Curated Archive

Demna’s creative process emphasizes research. He described “research weeks” in which he consumes hundreds of photography and art books, equating the experience to watching movies. That intensive reading of imagery informs both the mood and the specifics of his work. He has also extended fashion into other media—photographing look books and directing short films—which shows a multimedia approach to storytelling.

The art-historical lens comes through in how he treats Gucci’s archive. Rather than assuming a single, fixed meaning for heritage motifs, he treats them as part of a cultural ecosystem: objects, stories, rooms (like the long-remembered Apartamento Gucci), and customer rituals. The Apartamento concept—an exclusive top floor for VIPs offering furniture, art and curated objects—provided a historical anchor. Demna’s cruise invitations referenced that golden-key access. The gesture signaled both reverence for Gucci’s past and a desire to repurpose it for contemporary audiences.

Demna’s work therefore moves between the studio and the cultural archive. Books, film and photography are not mere inspiration boards; they are active tools for reconstitution. That process results in collections that feel researched, layered and resonant rather than stylistically opportunistic.

Corporate Alignment: Kering’s Strategy and Gucci’s Commercial Roadmap

Demna’s aesthetic choices are situated within a corporate framework shaped by Kering’s leadership. The group has laid out a plan to renew Gucci’s desirability while balancing commercial metrics: uplift the quality of top-tier items, hold a stronger midprice proposition around 2,000–3,000 euros, and refine entry-level offerings without degrading perceived value.

Kering’s CEO articulated a vision that underscores identity rather than overt branding. The aim is to make Gucci recognizable through subtle codes—craft, material language and immediate cues—allowing the brand to be “unmissable” without blanket logo treatments. Demna’s measured use of signature motifs maps onto that directive.

Targets set by management—doubling the contribution of women’s handbags to a larger share of leather-goods sales, growing ready-to-wear and shoes significantly, and jumpstarting jewelry and watches—require product discipline. Gucci Core serves those targets by creating durable, repeatable touchpoints that can be scaled globally. The strategic pivot is not merely aesthetic; it is organizational. Design, merchandising and commercial teams must coordinate to deliver consistent quality across price points.

The Cruise 2027 narrative also speaks to pricing strategy. By placing staples centrally, Gucci can create a ladder of entry and aspiration. A well-crafted peacoat or trench in the midprice range can lead customers toward more distinctive, higher-priced items. The product architecture creates a funnel that is both cultural and commercial.

Reception, Risk and the Question of Taste

Demna’s earlier collections provoked divided reactions; controversy and disagreement have been part of his tenure. The Cruise 2027 presentation represents an attempt to reduce noise by clarifying purpose. But clarification does not eliminate dissent. Some critics and customers favor more radical departures from heritage language; others want immediate coherence with past Gucci tropes. Demna’s strategy attempts to hold both camps by delivering functional wardrobe pieces alongside more pronounced fashion statements.

The Times Square gamble has reputational stakes. A public spectacle invites instantaneous and broad response across social channels. That risk amplifies both praise and critique. Yet staging a show in a civic space also democratizes the runway moment. It signals that fashion need not remain hermetic, gated by industry insiders, and that brand identity can be argued about on a public stage.

Long-term reception will hinge on execution beyond the event. Will the core garments fulfill their promise in construction, materials and fit? Will price positioning align with perceived value? These are the questions that will shape Gucci’s next fiscal quarters. A successful runway moment is a beginning; consistent product delivery is what sustains desirability.

What the Cruise Show Suggests About Luxury’s Future

Demna’s Times Square presentation points to several broader shifts within luxury fashion.

  • Site-specific storytelling will remain central. Brands will keep seeking compelling physical narratives that tie products to places and cultures; the site becomes part of the message.
  • Product discipline is making a comeback. After seasons of stylistic proliferation, fashion houses are refocusing on core offerings that sustain customer relationships.
  • Heritage will be treated as raw material rather than a museum piece. Reinterpretation and careful restraint will help houses remain relevant to younger, more global audiences.
  • Public-facing shows will continue to be tools not only for cultural positioning but for marketing and direct consumer engagement. The runway is as much a communication channel as it is a design forum.

Gucci’s Times Square show does not resolve the industry’s debates about spectacle, identity or commerce. It does offer a clear thesis: great houses must reconcile heritage and modernity through product, place and narrative coherence. When creative ambition meets commercial clarity, the result can be both culturally compelling and commercially actionable.

Design Details and Notable Looks

The Cruise collection juxtaposed classic forms with contemporary details. Tailored pieces such as trenchcoats and peacoats appeared with updated cuts and material treatments. Pussy-bow blouses emerged as versatile layering items, capable of pairing with leather trousers or fluid skirts. Cropped leather jackets were engineered for modern layering and movement.

Accessories carried a similar duality. Signature motifs were present but often de-emphasized. The web stripe, the GG, the Flora print and bamboo and bit hardware appeared as accents rather than declarations. The effect was a series of looks that read as Gucci to varying degrees, depending on a viewer’s familiarity with the brand: unmistakable to the informed and comfortably unobtrusive to the uninitiated.

Styling choices reinforced the collection’s pragmatism. Looks were assembled to suggest real-life wearability—garments that move with a commuter’s day, or that travel easily from morning to evening. The photographic direction and filmic interludes surrounding the show reinforced narrative cohesion: these are clothes that belong to characters, to stories, to city rhythms.

The Creative Arc Ahead: Demna’s Roadmap

Demna described the Times Square show as a platform rather than a terminus. By establishing a clear set of core items and testing them in a public, urban context, he has created a foundation for the next phases of the house’s design evolution. That evolution will likely show increasing personalization of silhouette and proportion—the “Demna-Gucci architecture” he referenced—built upon the wardrobe staples introduced now.

The trajectory suggests incrementalism rather than abrupt reinvention. Demna’s process—research, layered study and cautious integration of signature references—favours a long game. This will be measured by how consistently the house can translate runway presentation into high-quality product, and how successfully those products resonate across Gucci’s wide consumer spectrum.

The Broader Competitive Landscape

Gucci’s Times Square moment sits within a larger pattern of European houses staging prominent events in the U.S. Dior’s presentation in Los Angeles, and runway activity from Louis Vuitton and others in New York, indicate a strategic pivot toward American cultural centers. Hermès and Zegna planning shows in Los Angeles underscores how the U.S. is being used as a primary cultural and commercial platform.

Competition increases the importance of clarity. Brands must present coherent offers that differentiate them not only aesthetically but through product architecture and pricing. Gucci’s focus on core wardrobe items positions the house to compete on usability and sustained desirability, rather than pure seasonal spectacle.

Practical Takeaways for Consumers and Retailers

For consumers, Cruise 2027 signals a practical entry point to Gucci: look for core pieces that offer longevity and are designed to be integrated into daily life. For retailers, the show underscores the importance of merchandising staples alongside more trend-driven items. Stocking core items, with clear storytelling about fit, material and place within a customer’s wardrobe, will be crucial.

For investors and market watchers, the Cruise presentation is a visual proof point of the house’s alignment with Kering’s strategy. If product quality, pricing and distribution follow the rhetoric, the collection could accelerate the brand’s commercial recovery and growth targets.

The Cultural Resonance: Fashion, Place and Memory

Fashion thrives on memory and the creation of new rituals. Times Square is a locus of memory for millions: films, photographs and personal recollections that make the place culturally resonant. Placing Gucci within that matrix ties the brand’s new narrative to shared cultural images. By doing so, the house aims to create new memories—moments that will be reinterpreted on social channels, in magazines and in conversations about what Gucci means now.

That cultural resonance is no small consideration. Brands that succeed in embedding their identity within public consciousness gain a kind of soft power that transcends quarterly sales. Demna used place, history and product to suggest that Gucci’s next chapter is rooted in both city life and a renewed product discipline.

FAQ

Q: Why did Gucci choose Times Square for a cruise show? A: Times Square offered symbolic resonance and an already constructed visual environment. The square’s large screens and constant motion served as a dynamic backdrop that reinforced the show’s themes: public visibility, American cultural ties and a departure from closed, private venues.

Q: What is “Gucci Core”? A: Gucci Core is a product strategy that prioritizes essential wardrobe pieces—coats, blouses, leather jackets and other staples—designed for everyday use. The concept aims to fill a gap in Gucci’s offering by delivering durable, recognizable items that form the foundation of a customer’s wardrobe, while preserving space for seasonal, fashion-led pieces.

Q: How does this show connect to Kering’s corporate strategy for Gucci? A: The presentation aligns with Kering’s goals to clarify Gucci’s identity, rebalance pricing tiers, improve quality and grow revenue in ready-to-wear, shoes, handbags, jewelry and watches. Gucci Core supports a midprice anchor and a ladder of aspirational products intended to increase repeat purchase and broaden the brand’s commercial base.

Q: Did staging the show in Times Square pose special logistical challenges? A: Yes. The city environment required municipal permits, close coordination with digital billboard operators and security measures. The production intentionally did not hold a full rehearsal in the final venue, which added complexity but also aligned the show with the city’s improvisational energy.

Q: How did Demna’s previous collections influence the cruise collection? A: Demna’s earlier collections functioned as acts in a multi-season study: a return to pre-fashion Gucci, a reinterpretation of the Tom Ford era, and an examination of body-conscious silhouettes. The Cruise collection synthesizes these strands into a product proposition that balances heritage cues with modern functionality.

Q: What should consumers expect from Gucci in the coming seasons? A: Expect a stronger emphasis on wardrobe staples, clearer product architecture and gradual introduction of Demna’s personal design language built upon those core items. The strategy prioritizes both cultural relevance and commercial viability.

Q: Will the Times Square show format continue? A: The choice of venue signals a willingness to experiment with public, site-specific shows. Future decisions will likely weigh the cultural impact of a location against logistical complexity and strategic objectives. The success of the Times Square presentation will influence whether similar formats are pursued.

Q: How might this affect Gucci’s pricing and product tiers? A: Gucci’s stated plan includes anchoring the midprice tier around 2,000–3,000 euros while elevating top-tier items with richer materials and details. Gucci Core can help populate multiple tiers, offering durable mid-tier products and aspirational higher-end pieces.

Q: What does this mean for the broader fashion industry? A: The show underscores a broader movement toward clearer brand identities, product discipline and experiential storytelling. Designers and houses will continue to balance spectacle with commercial rigor, using place and narrative to differentiate offerings.

Q: How will retailers present Gucci Core in stores? A: Retailers should emphasize the functional virtues of core items—fit, materials, versatility—through curated displays and cross-merchandising. Positioning these pieces as the backbone of a wardrobe will help customers see their long-term value.

Q: Is the aesthetic shift likely to stabilize Gucci’s customer base? A: If product quality, price alignment and consistent storytelling follow the runway, the new focus on core wardrobe items should broaden Gucci’s appeal and stabilize purchase behavior. The brand’s challenge will be to maintain distinctiveness while serving a wide range of customers.

Q: How does this presentation fit within Demna’s longer-term creative vision? A: The Times Square show acts as a foundational moment. Demna plans to build a personal silhouette vocabulary—the “Demna-Gucci architecture”—on top of the core wardrobe platform introduced with Cruise 2027, using gradual evolution rather than abrupt reinvention.

Q: Where can customers see the Cruise collection? A: The collection will appear through Gucci’s wholesale partners and directly in Gucci boutiques and online channels. Consumers interested in key core items should consult official Gucci storefronts for availability and local assortment details.

Q: What can other luxury brands learn from Gucci’s approach? A: The key lessons are the value of product clarity, the usefulness of place-based storytelling, and the importance of aligning creative experimentation with commercial strategy. Bold venues can amplify narratives, but long-term success depends on consistent product execution.

Q: Does staging shows in public spaces change how fashion is perceived? A: Public shows democratize certain runway moments, making them part of civic life rather than closed industry spectacles. They can broaden engagement and reframe fashion as a cultural event, but they also open brands up to immediate public critique. The trade-off is exposure versus control.

Q: Will the Times Square show influence streetwear or youth culture? A: By presenting pragmatic, wearable pieces in a public urban setting, the show emphasizes versatility that can intersect with streetwear sensibilities. Subtle use of signature codes may appeal to younger consumers who prefer implied identity over overt branding.

Q: How will Gucci measure the success of this approach? A: Success metrics will include sales growth in targeted categories (ready-to-wear, shoes, handbags), customer retention rates, pricing realization across tiers, and cultural reach as measured by press, social engagement and brand perception studies. Operational measures—supply chain execution, quality control and wholesale performance—will also be critical.

Q: What is the most important takeaway from the Times Square show? A: The show demonstrates a clear bet: Gucci can reclaim coherence by centering product fundamentals while using cultural spectacle selectively to reinforce identity. It positions the house to balance heritage and modernity in ways that are both culturally visible and commercially pragmatic.